How to Sound Like Jimi Hendrix (on Budget Guitar Gear)

This article focuses on gear, not technique. You can devote many years to trying to learn Jimi’s style and play like him, but this is more about getting a guitar rig that will get you close to recreating the Jimi Hendrix tone at various times in his career.

In short, this is about capturing a tone similar to Jimi Hendrix. It’s not about playing like him.

Also, note that this is a basic list of gear that will get you close to 80% of Jimi’s tone. He was well known for trying many different techniques and gear throughout his brief career. This list covers the gear you will need to get something close to 80% of his tone. It covers the core of his sound but not every flourish, so to speak. Basically, this is not an exhaustive list for gear collectors and Hendrix aficionados. This is a list of inexpensive gear to use if you want to capture tones close to what Hendrix is most known for.

Now that the preliminary disclaimers have been dispatched, on with the list…

First up on the list is Jimi’s choice of guitar. While Hendrix is known to have played a Gibson Flying V on occasion, he is most known for playing a Fender Stratocaster.

“1969 Fender Stratocaster, original pick-ups, maple neck, strung upside down for a left-handed … genius, Jimi Hendrix.”

Ford Fairlane

If you want your tone to sound like Jimi, it’s essential to use a strat. As mentioned above, Jimi did play other guitars at times, but he’s so well known for playing a Stratocaster that it’s downright iconic. And the fact that Jimi played a right-handed strat that he strung upside down is so legendary it’s become a cliche (as evidenced by the quote above)

DENMARK - SEPTEMBER 03: Photo of Jimi Hendrix 10; Jimi Hendrix KB-Hallen Copenhagen September 3 1970 (Photo by Jan Persson/Redferns)

DENMARK – SEPTEMBER 03: Photo of Jimi Hendrix 10; Jimi Hendrix KB-Hallen Copenhagen September 3 1970 (Photo by Jan Persson/Redferns)

If you’ve got the money, then by all means go for an American made Fender Stratocaster, but the Mexican made is half the price and sounds just as sweet.

61awxcmla2l-_sl1500_Next up on the list is Jimi’s choice of amplifiers. He’s most known for two: The Marshall stack, and the Fender Bassman. Either one of these will set you back thousands of dollars if you go for the authentic. Lucky for you, modern technology makes it possible to achieve fairly accurate Hendrix like tone at a fraction of the price (and volume).

Marshall DSL15C

Marshall DSL15C

The best choice here is all tube, and for the budget conscious buyer that means the Marshall DSL15C DSL Series 15-Watt Guitar Combo Amp. It’s 15 watts of Marshall crunch and searing lead tone at just under $600.

Fender Bassman

Fender Bassman

That covers Jimi’s high-decibel, hard rock sound from such classics as Purple Haze, Foxy Lady and most of his early and mid-sixty’s sound. For his softer, more blues based side (think Electric Ladyland, especially “Voodoo Chile”) you’ll want the Fender Bassman tone, but that’ll set you back a bit more.

The Fender Mustang II

The Fender Mustang II

So, if you’re like me you’ll want something not too expensive and versatile. One of the most inexpensive and versatile amps on the market today is the Fender Mustang series. I recommend the Fender Mustang II V2 40-Watt 1×12-Inch Combo Electric Guitar Amplifier as the budget friendly option with enough bang for playing solo or small gigs. The Fender Mustang amp is a modeling amp, so it uses onboard software to model various other amplifier models and cabinets and does so convincingly. Just dial up a Marshal Plexi or Fender Bassman and voila!

The next piece of the Hendrix tone puzzle is the effects chain.

Jimi’s favored effects pedal were Fuzz and Wah, and later some Chorus/Vibe.

Hendrix Fuzzface

Hendrix Fuzzface

If you’re shooting for the authentic Hendrix Fuzz tone, you’ll want to check out the Dunlop Jimi Hendrix Fuzz Face Distortion. If you want a good approximation for a few bucks less, check out the Dunlop FFM1 Silicon Fuzz Face Mini Distortion.

Dunlop Fuzzface Mini

Dunlop Fuzzface Mini

Jimi’s favored Wah pedal was the Vox Wah V847A, which is still available today.

VOX V845 Classic Wah Wah

VOX V845 Classic Wah Wah

Another favored sound of Hendrix in his later career was the Octave Fuzz (think “One Rainy Wish” from Axis: Bold as Love). A good choice today is the Electro-Harmonix Octavix Octave Fuzz Pedal.

Electro Harmonix Octavix Octave Fuzz

Electro Harmonix Octavix Octave Fuzz

Lastly, if you’re searching for the Hendrix “Star Spangled Banner” from Woodstock or “Machine Gun” from Band of Gypsys you’ll want to

Dunlop M68 Uni Vibe

Dunlop M68 Uni Vibe

use a Univibe pedal. The best bang for your buck here is the Dunlop M68 Uni-Vibe Chorus/Vibrato.

 

 

 

Pro Tips.

Here are a few bonus pro tips for nailing the Hendrix tone.

Strings.

Jimi preferred light strings, and according to Eddie Kramer, sometimes even banjo strings. This will definitely help you with bending notes. The great thing about strings is that they are probably the cheapest change you can make. Two great choices are Electro-Harmonix NIC9 Nickel Wound Ultra Light Electric Guitar Strings and D’Addario EXL120 Nickel Wound Electric Guitar Strings, Super Light, 9-42.

Cables.

Jimi preferred coiled guitar cables. Why is this worth mentioning? Because coiled cables in Jimi’s day had a bigger effect on tone than cables today. Coiled cables in the 60’s remove a lot of the higher frequencies which reduces the brightness you hear. This is especially important with single coil pickups, as are found in Stratocasters – Jimi’s cable choice likely mellowed the tone of his strat in ways modern cables do not.

Playing tips.

I said this post wasn’t about how to play like Hendrix, but here are some super-simple tips that are easy to implement and best of all – free!

Tune half-step down.

Hendrix tuned his guitar a half a step down (Eb Ab Db Gb Bb Eb). If you don’t follow suit, you won’t sound quite right for the Hendrix tone.

Pickups.

Use the middle or neck pickups as Jimi rarely used the bridge pick up.

Also, he favored rolling back the volume knob on the guitar for to get a “clean” tone, as opposed to a foot switch or channel swap…

This is all done with modern, inexpensive off the shelf gear so what you’ll get is a close approximation… not magic bullet solution…

e n j o y!

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The 12 Best Low Watt Tube Amps For Under $500.

Low watt tube amps have become a popular niche for players and manufacturers alike. It used to be that tube amps were reserved for the 50 – 100w range, for venues much larger than a bedroom. These tube amps were way too much power for the hobbyist to practice with at home. They were typically too damn big too.

These days, there are a host of lower wattage tube amps on the market, and many for less than $500. Some are decidedly vintage style, while others are classic or modern style. Whatever your personal taste, you should be able to find a low watt tube amp to your liking on this list of the best small tube amps available today.

Low Watt Tube Amps For Under $500

Blackstar amps

Blackstar brings 3 amps to the low watt party: the HT5R, HT1R and the HT1MC.

Blackstar HT5R 5-Watt 1×12 Combo Amp with Reverb

Blackstar-HT5R

The Blackstar HT5R is a 5 Watt, all-tube amp (1 ECC83 (12AX7), and 1 12BH7 tubes) with a single 12-Inch speaker. It’s got 2 channels (clean, and overdrive), 3-Band EQ and reverb. It also has a series effects loop, stereo MP3/Line input, headphone out and comes with a footswitch for switching channels.

Another really cool thing the Blackstar HT-5Rbrings to the party is the ability to model 1×12 or 4×12 in a line out, which is awesome for recording.

The Blackstar HT5R delivers crunch and tube breakup tones that you’d expect from a 100w amp through the use of a 12BH7 dual triode valve in push-pull configuration. The result is a big sound, from a modest, 5-watt amp.

Bottom line: the Blackstar HT5R is a great low watt practice and home studio amp, with killer tube powered metal tone, all for $499.99.

Here’s a great all-around demo

Blackstar HT1R 1×8 Series Combo Amp with Reverb

Blackstar-HT1R

The Blackstar HT1R is the “mini-me” to the Blackstar HT-5R. Instead of a 12″ speaker, the Blackstar HT1R has a single 8″ speaker, and instead of 5w, the Blackstar HT1R is 1w, powered by a single ECC83 (12AX7), and single ECC82 (12AU7) power tubes.

The Blackstar HT1R can also be plugged into an external speaker cab, and can easily drive a 4×12 cabinet. It currently sells for only $329.99.

Here’s a Demo

Blackstar HT Metal Series HT1MC 1W 1×8 Combo w/Reverb

Blackstar-HT-Metal-Series-HT1MC-1W

The Blackstar HT1MC is the low watt Metal brother to the HT1R. It’s also 1w, with a 1×8″ speaker configuration, features reverb, and speaker out emulation. It’s also a true tube amp powered by an ECC83 and ECC82 tube combo.

What sets the Blackstar HT1MC apart from other tube amps on this list however is it’s look. The Blackstar HT1MC is a “stripped-down, tube-driven metal monster” and it looks the part!

Powerful enough for great metal crunch tone, but won’t disturb the peace. The Blackstar HT1MC has excellent clarity even at high gain levels, but can also do rock and blues and sells for $379.77.

Check out the demo (More than just Metal!)

 

Low watt tube amps by VHT

VHT AV-SP1-6 Special 6 Combo Amplifier

vht_special_6The VHT Special 6 is a 6 watt, 10-inch all tube combo amp built with modders in mind, so if you’re handy with a soldering iron, the sky is the limit!

The out of the box configuration features One 12AX7 Preamp Tube, One 6V6 output tube and special high sensitivity 10″ VHT Special Design speaker. It also includes a footswitchable boost mode and 4, 8, and 16 Ohm speaker out jacks for driving larger cabs.

The VHT Special 6 also features a High/Low power switch that enhances low-volume tones with extra-smooth richness. In low power mode, you can get great distortion with a reasonable volume for home practice, and in high-power mode, it is loud enough to compete with a drummer for practice or small gigs.

The VHT Special 6 is a modders dream that excels at both clean and overdriven tones. The VHT Special 6 sells for just $249.99.

 

Low watt tube amps by Bugera

Bugera V5 Infinium

bugera_v5_infiniumThe Bugera V5 Infinium is a 5w all tube amp for less than $200.

Let that sink in for a moment.

For the price of a really good solid state amp, you can get an all tube amp. But that’s not all.

The Bugera V5 Infinium Class-A amp is driven by a single EL84 tube with a single 12AX7 tube in the preamp and a specially designed 8″ Turbosound speaker. This is a classic combination for the British crunch and buttery blues tone. Another great feature is the power attenuator, which effectively lets you decrease the headroom and get killer overdrive or distortion at a lower volume. Besides the basic Volume, Tone and Gain controls, the V5 also has a sensitive digital reverb capable of dialing in everything from subtle to downright cavernous.

Where the Bugera V5 Infinium really makes its mark is with it’s Tube Life Multiplier technology. According to Bugera, this tech ensures greater reliability and consistent tone over the lifespan of your tubes by monitoring the performance of each of the amplifier’s output tubes and maintaining them at their ideal operating point for an evenly distributed load. There’s also an LED next to each tube that lets you know when it’s about to die.

All for a startling $199.99!

 

Low watt tube amps by Vox

Vox AC4C1 1×10″ 4 Watt Tube Combo

The Vox AC4C1 is a 4w tube amp, powered by two 12AX7 tubes in the preamp, and a single EL84 in the power amp section. It sports a 10″ Celestion Speaker, and has Gain, Treble, Bass, and Volume controls.

VOX-AC4C1-BL

Like most other amps on this list, the Vox AC4C1 has external Speaker-Output terminals for driving an external speaker cab, though it lacks some of the more modern recording features of the Hughes & Kettner Tubemeister 5 Combo.

What the Vox AC4C1 does have plenty of is pure, tube driven Vox tone and style. The 10″ speaker gives the Vox AC4C1 a wide, dynamic range and the EL84 gives it classic British crunch. It also has the Top Boost tone, made popular in the VOX AC30.

vox-AC4C1-4W-creamThe Vox AC4C1 is available in 2 styles:

Check out this Demo here:

VOX AC10C1

vox_ac10c1Get cranked up tone without cranking up! The Vox AC10 is a 10 watt combo amp with Two 12AX7 tubes for the preamp and two EL84 tubes for the output. It’s got the classic Vox look and British crunch and chime. The controls include Volume, Grain, Bass, Treble and Reverb. It should be noted that the reverb is digital and very sensitive- great for classic rock to full out surf.

The Vox AC10 comes with a 10 inch Celestion speaker but also features a speaker out jack so you can run it to drive an external cab.

Think of the AC10 as the stripped down little brother to the AC15 – great for small gigs, studio and home playing and sells for $449.99.

 

VOX AC4TVmini 4W Tube Guitar Combo Amp

Vox-AC4TVAs the name suggests, the AC4TVmini is the smallest version of the AC4TV series. Like it’s larger brother, it ‘s powered by a single 12AX7 tube in the preamp section, and a single EL84 in the power section. But the 8″ speaker is swapped out for a smaller still 6.5″ custom Vox speaker.

You’re basically trading some volume and dynamic range for greater portability.

Demo

 

Low watt tube amps by Marshall

Marshall DSL5C 1×10 5w combo

A lot of people don’t get the Marshall DSL5C, especially Marshall fans. They just don’t see the point in low watt amps, and frankly look down on anyone who doesn’t play a 100w Marshall stack. Well, the Marshall DSL5C just isn’t for them. It’s perfect for fans of the Marshall tube tone who just want a rock solid tube amp for practicing or playing the occasional small gig.

The Marshall DSL5C is a versatile amp that truly delivers on Marshall tone – everything from Plexi-style cleans to JCM800 snarl to modern day high gain. It is powered by 3 ECC83 tubes in the pre amp, and a single 12BH7/ECC99 in the power amp section. It features 2 channels: Classic and “ultra gain”. 😀

Marshall-DSL5C

What makes the Marshall DSL5C even better is the power switch. Like the Vox AC4TV, the Marshall DSL5C can run at full wattage (5w) or lower wattage (1w), which means you get all that sweet crunch and tube saturated distortion at volumes low enough to not piss off the neighbors.

The Marshall DSL5C also features a series FX loop, and headphone out, audio in (for mp3 players) and an extension speaker for driving an external speaker cab.

The Marshall DSL5C comes with a footswitch and houses a Celestion Ten 30 10″ speaker. Controls include: volume, gain, presence, bass, middle, treble, deep switch (increases low end frequency), and toneshift (which acts like a mid scoop). $499.99

Demo

 

Low watt tube amps by Epiphone

The Epiphone “1939” Century Amplifier

The  “1939” Century amplifier takes you back to the days when amplifiers were new. Its art Deco inspired look would be at home in Epiphone’s early days in Manhattan, but totally unique nearly 80 years later. You can rest assured that while the sound and look are vintage, the electronics are modern.
epiphone_1939_century_amplifier
The Epiphone 1939 Century amplifier is an 18w, all tube Class A/B combo amp. It’s powered by two 12AX7 and two 6V6 tubes and features a 12″ Electar speaker. Controls are pretty basic with a master volume and master tone, but the master volume has a pull mode for a “boost” effect.

Where things get a bit more unique is with the inputs. There are three of them – bright, normal and dark. There is also an extension speaker out jack and internal bias adjustment for tweaking the response of the 6V6 power tubes. $373.14

 

Low watt tube amps by Fender

Fender Super Champ X2 15w 1×10

And finally, we come to the Fender Super Champ X2 15w 1×10″ combo. At first glance, the Fender Super Champ X2 appears to be a more traditional amp with its black vinyl covering and silver grille cloth front. Although it doesn’t look as boutique as the Ramparte and Excelsior or as spacy as the Vaporizer, it’s not as traditional as it looks either.

fender-super-champ-x2-angled

The Super Champ X2 is a 15w, low watt tube amp with a Fender Special 10 inch speaker, but it also blends the digital amp modeling (“voicings”) and effects found on Fender’s popular Mustang series of amplifiers.

The Super Champ X2 is a modern modeling amp in a traditional package that gives you the warmth of an all tube amp with the flexibility of more modern solid state amps.

The Super Champ X2 is powered by a single 12AX7 tube in the preamp and a pair of 6V6 tubes in the power section.

$379.99

Demo:

Low watt tube amps by Laney

Laney Cub 8 5w tube amp

laney_cub_8_5w
The first offering from Laney amps on this list is the Cub 8, a 5w class A combo amp with a focus on tone and simplicity in a small package.

The Cub 8 features an 8″ Celestion speaker, Hi & LO input (clean & overdrive) and a tone and volume knob. It’s powered by a single ECC83 pre amp tube and a single 6V6GT tube in the power section.

The Laney Cub 8 is a great low watt amp perfect for practice or home recording and really captures the classic fender tweed-like tone.

The Cub 8 is a great little tube amp for only $199.95

Laney Cub 10 10w tube amp

Next of from Laney Amplifiers is the middle child of the Cub series, the Laney Cub 10.
laney_cub_10
The cub 10 is a 10w, class A/B amp with a 10″ Celestion speaker, two E CC83 pre amp tubes and two 6V6GT output tubes. The controls and inputs are identical to the Cub 8.

Where the Cub 10 differs from its little brother is in the sound and power consumption. Being class A/B, it’s a bit more efficient than the Cub 8 and doesn’t run quite as hot. The larger speaker and double tube compliment give the Cub 10 a bigger mid-range sound. Since the natural range of the guitar is the mid-range, this is perfect for guitarists who want to cut through the mix in a band or recording setting.

The Laney Cub 10 is a nice, low watt package for expressive mid-range clean tone to Zeppelin like gain and vintage tone for only $249.95.

Laney Cub 12 15w tube amp

laney_cub_12Lastly, we have the big brother: the Laney Cub 12 – a 15w all tube class A/B amplifier, with three ECC83 tubes in the pre amp and two EL84s in the power amp stage. This gives the Cub 12 a much bigger voice than the Cub 8 and 10. And if 12″ of Celestion isn’t enough for you, there’s also an external speaker out jack.

In addition, the Cub 12 also features reverb (digital), tone and volume (as with the Cubs 8 and 10) and bass, middle treble EQ and gain control. The Cub 12 also has an FX loop.

Instead of a Hi/LO input, the Laney Cub 12 has a 15w and <1w input. Jack into the 15w input and you get the full throated roar, jack into the <1w and you get a more manageable volume for practice, with substantially less headroom. This means that you can get those dreamy, creamy British overdrive tones that EL84s are known for at a much lower volume. The Cub 12 sells for $399.00.

 

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The 8 Best Battery Powered Guitar Amps Today!

Battery powered guitar amplifiers have come a long way. Technology has advanced to the point where you can now get classic Fender or Marshall tones in an amp about the size of a lunch box.

Better still- you can get classic Vox tones with a built-in beatbox for honing your rhythm chops anywhere you go. Or get virtually 11 different amps all in one, small portable battery powered amplifier.

The times, they are a changing but I think these changes are a good thing.

Here are 8 of the best battery powered guitar amplifiers on the market today, from big-name makers.

Marshall MS-4 Micro Stack Amp Review

The Marshall MS-4 Micro stack is what it sounds like – a miniaturized Marshall Stack.

Marshall-MS-4-Micro-Stack-Amp

It’s a 1w battery powered guitar amplifier featuring 2 independent speaker cabs – each with a single 3″ speaker – and an amp head with Gain, Volume and Tone controls. The Marshall MS-4 Micro stack is small and stands only 9 3/4″ tall.

The amp is switchable between Clean and Overdrive modes, and the single Tone control lets you adjust the balance between bass and treble. The Marshall MS-4 Is a playable little amp that is well suited for classic rock and blues, but not jazz or metal.

The Marshall MS-4 Micro stack is powered by a single 9v battery or optional AC power adapter and sells for about $60.

read more for a full review and demo of the Marshall MS-4 Micro stack.

Marshall MS-2

What a great time we live in!

Marshall-MS-2-Mini-Amp

Modern technology has now made it possible to grab the Marshall MS-2 Mini Amp and take that Marshall tone with you – anywhere.

The Marshall MS-2 Mini Amp has that classic Marshall look and crunch, with surprisingly loud volume for such a little thing. it’s just 5-3/4″ high and even includes a belt clip!

It features controls for overdrive, tone, and volume and is powered by one 9V battery.

The Marshall MS-2 Mini Amp is a 1w battery powered amp that makes a great and fun gift or a truly portable practice amp, and sells for around $45

Demo

Fender Mini Tone-Master

Last up on the mini Fender hit parade is the Fender Mini Tone-Master Amp. This is a miniaturized version of the classic Tone-Master. As with all amps mini, the Mini Tone-Master provides pretty nice tone – considering its tiny size.

Fender-Mini-Tone-Master

Fender does another exceptional job of keeping true to the authentic Fender details here – cab corners, retro grille cloth, and vintage white control knobs.

The Fender Mini Tone-Master Amp is a small 1w battery powered amplifier that features two 2″ speakers, Gain, Volume, Tone and Power controls. It runs on a single 9V battery (included), or AC adapter and measures 6-1/2″ W x 6-1/8″ H x 2-1/4″ D

Unlike the Fender ’57 mini, the Fender Mini Tone-Master Amp is all plastic, but lightweight and small. It sells for $29.99.

Clean DEMO:

Distortion DEMO:

Fender ’57 Mini

Fender-Mini-57-Twin

The Fender Mini ’57 Twin Amp is for all the Fender Tweed fans out there. This is quite simply a battery powered, highly portable version of the original.

Measuring at just 2.8″ x 9″ x 8″ and weighing less than 2 lbs, this is a ’57 Twin for your desk or to just grab and go practice anytime!

The Fender Mini ’57 Twin Amp completely captures the vintage 50’s look from its miniature chicken head knobs, down to its tweed covering and brown grille.

It’s a bit more sturdy than many other battery powered guitar amplifiers out there, since the Fender Mini ’57 Twin is made of real wood and not plastic.

Beyond the vintage look, it’s a rocking little amp too. The Fender Mini ’57 Twin is a small 1w battery powered guitar amplifier with twin 2″ speakers, Built-in distortion, Power, volume, and tone controls. It runs on a single 9V battery or power adapter.

The Fender Mini ’57 Twin Amp sells for about $43, and would make a nice addition to a game room, or office or bedroom.

read more for a full review and demo of the Fender Mini ’57 Twin Amp.

Fender Mini Deluxe

fender-min-deluxe-amp

The Fender Mini Deluxe looks exactly like a shrunken Fender Hot Rod Deluxe. It even includes identical “dogbone” handle, chrome control plate, mini chicken-head knobs. It’s a 1w, battery powered guitar amplifier with a single 2″ speaker. The Fender Mini Deluxe runs on one 9v battery, and includes headphone out, Volume, Tone and Drive controls.

The Fender Mini Deluxe measures at 5.8″ x 6.2″ x 2.8″ and weighs in at just over 1 lb. It’s highly portable, and great for practice anywhere.

The Fender Mini Deluxe sells for around $35.

read more for a full review and demo of the Fender Mini Deluxe.

VOX Mini3 G2 Modeling Guitar Amplifier Review

The VOX MINI3 G2 is quite possibly the ultimate portable modeling amp.

VOX_MINI3_G2_ivory

The VOX MINI3 G2, Ivory

It’s powerful and portable enough for street performances or picnics with the family or wherever.

Unlike some other battery powered amps, the VOX MINI3 G2 is not a toy. It’s a serious modeling amp based on the VOX Valvetronix family of amps and includes a new Bassilator circuit that provides richer low-end frequencies, which is great high-gain players looking for a deep metal tone.

The VOX MINI3 G2 features 8 editable effects, 11 amp models and a direct line connection for ultimate clean tone, or portable PA!

The VOX MINI3 G2 runs on 6-AA batteries or AC adapter, weighs 6.6 lbs (3 kg) and measures10.32″ (262mm) x 6.85″ (174 mm) x 8.78″ (223mm).

read more for a full review and demo of the VOX MINI3 G2 .

Vox AC1 RhythmVOX Portable Practice Amp Review

Vox-AC1-RhythmVOX

The AC1 RhythmVOX is not just a great portable practice amp, but it’s a rhythm box too. The RhythmVOX features 66 Rhythm/Song Patterns for rhythm practice and experimentation. From straight forward metronome to song accompaniment with a host of song style beats, the AC1 RhythmVOX is a box of fun.

The quality of the beat patterns is excellent and the tempo and volume of each can be controlled in an intuitive way, so you can quickly dial in the settings you want.

Features include gain, tone, and volume controls, headphone jack, Aux In jack – to jam along with your CD or MP3 player and a pair of 3″ speakers.

Coming in at about the size of a lunchbox (7″W x 2-1/2″D x 5″H) and weighing about 1 lb, the Vox AC1 RhythmVOX is a truly portable battery powered amp, but also runs on AC adapter.

read more for a full review and demo of the AC1 RhythmVOX.

Orange Micro Crush

orange-micro-crush-amp

The Orange Micro Crush CR3 a 3w battery powered amp from famed Orange Amplifiers. With a single 4″ speaker, overdrive channel, and tone control, this little guy can rock!

The Orange Micro Crush CR3 is all Orange, from the woven grill to rubber footstools and trademark Orange finish. it’s also wood, and not plastic.

The CR3 has a chromatic tuner, headphone jack and runs on a single 9v battery 9or AC adapter).

It may be small, but the Orange Micro Crush CR3 is all Orange and it’s a little beast.

read more for a full review and demo of the Orange Micro Crush amp.

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Marshall MS-4 Micro Stack Amp Review.

The Marshall MS-4 Micro stack is Marshall’s entry into the portable battery powered amplifier. In keeping with path set down by other amplifier makers, the Marshall MS-4 Micro stack is like a Marshall stack that’s been hit with a shrink ray.

Marshall MS-4 Micro stack Features

Marshall-MS-4-Micro-Stack-AmpThe Marshall MS-4 Micro stack Amp is a 1w amplifier and features 2 independent speaker cabs (each with a single 3″ speaker), an amp head with Gain, Volume and Tone controls. The Marshall MS-4 Micro stack is truly a micro stack and stands only 9 3/4″ tall.

The Marshall MS-4 Micro stack is switchable between Clean and Overdrive modes. The single Tone control lets you adjust the balance between bass and treble.

The Marshall MS-4 Micro stack is powered by a single 9v battery or optional AC power adapter.

Conclusion

Marshall plugs the amp as being, “Powerful enough to blow the windows out of a doll house!”.

Maybe, if doll houses had windows. Then again, maybe not.

While it does pack a punch for a 1-watt amp, it has relatively weak distortion and poor cleans compared with similar portable battery powered amplifiers.

Marshall states the Marshall MS-4 Micro stack features a “Smokin’ stack design” and “Screamin’ stack sound,” but it’s plastic construction and weaker tone are its downside.

It’s a playable little amp that is well suited for classic rock and blues, but not jazz or metal. The Marshall MS-4 Micro stack definitely nails the Marshal stack look, but in the end it’s more style than substance.

But still, the idea of having a Marshall stack on your desk at the office is pretty sweet, right?

The Marshall MS-4 Micro stack Amp sell for about $60.

 

Check out the Demo:

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