There are modeling amps, and then there is the Peavey Vypyr VIP. Where most modelingamps model, well, different amplifiers, the Peavey Vypyr VIP models different kinds of amplifiers.
Consider one of my favorite modeling amps on the market today: the Fender Mustang series. These amps are hands down the most versatile modeling amps I’ve seen – for guitar.
And here’s what sets the Peavey Vypyr VIP apart from other modeling amps.
The Mustang (and other modeling amps) let you switch from playing say, a Vox AC30 to a Vintage Marshall stack to a Fender Twin Reverb and many others, but the Peavey Vypyr VIP 1 20W Amplifier lets you switch from a guitar amp to a bass amp to an acoustic amp!
The Peavey Vypyr VIP models different amps as well (just like a traditional modeling amp) but works with bass, acoustic and electric guitar. What’s more – the Peavey Vypyr VIP lets you mimic a variety of different instruments with your guitar.
For example, you can plug in your trusty axe flip a few switches and viola, you’re playing an electric violin! How cool is that?
On-board looper activated with optional Sanpera™ I or II
WYSIWYG (what you see is what you get) controls
Amp accessible real time dual parameter controls
Amp accessible global reverb and delay
Bi-directional USB Data Midi Audio record out
Studio quality headphone out
Up to 4 effects simultaneously
Enhanced chromatic tuner
The “VIP” in Peavey Vypyr VIP stand for Variable Instrument Performance , and Peavey is touting it as:
The world’s first amp that contains Bass guitar, Acoustic guitar and Electric guitar amplifier models.
The Peavey Vypyr VIP 1 20W Amplifier is powered by Peavey’s powerful 32-bit, floating point SHARC processors and utilizes their patented Transtube® analog circuitry to provide authentic sound for their vintage amp models.
The Peavey Vypyr VIP also provides a bi-directional USB data and audio port for an easy way to record, and or connect to our VYPYR software and store presets, get lessons, and practice to backing tracks while connected to your computer.
It’s all WYSIWYG, baby.
If all of the above seems like a lot of details and impossible to use without a computer science degree, it isn’t it.
The Peavey Vypyr VIP uses WYSIWYG (what you see is what you get) controls, so all effects, amp models and parameter controls can be accessed via the amp itself. This lets you see and adjust the control position quickly with no guessing where the control is supposed to be, or having to manually move it to where it should be preset to preset.
The Peavey Vypyr VIP 1 20W Amplifier is not just an awesome practice amp, it’s well suited to recording as well. With the ability to handle – and model – a variety of instruments, it really opens up the creative possibilities for the amateur and hobbyist. It’s also a great amp for anyone who plays multiple instruments in a band. Say you play electric guitar and bass in your band, you’d have only one amp (HINT: the Peavey Vypyr VIP) to bring to practice for both instruments.
Fender Mustang 1 vs. 2. It’s a question many guitar players may ask themselves when they’re looking for a new modeling amp. Digital modeling amps dominate the market for guitar amps under $200. Some of the best sellers in this price range are the Fender Mustang series of amps, specifically the Fender Mustang 1 and 2.
Both have the exceptional cleans that Fender amps are renowned for, and both are loaded with a ton of features, effects and amplifier models to play with.
In fact, the Mustang 1 and Mustang 2 are really very similar. Here’s a comparison between the two models to help decide which one fits you best.
Fender Mustang 1 vs Mustang 2 comparison
Fender Mustang 1 vs 2: physical dimension/construction.
The Fender Mustang 1 fits the standard practice amp mold with 20w and 1-8” speaker. It’s measures at 7.6″ x 15.5″ x 14.5″ and weighs 17 lbs. It’s big enough for decent volume, yet small enough to be portable.
The Mustang 2 is the big brother by comparison. It features 40w and 1-12” speaker, measures 8.7″ x 18.25″ x 17.25″ and weighs 24 lbs. The Mustang 2 is still pretty easy to get from point A to point B, but has a bit more rounded sound and larger headroom.
Both the Mustang 1 and 2 sport the Fender Carbon Tweed Textured Vinyl with Silver Grille Cloth cover.
Fender Mustang 1 vs 2: features.
This comparison is really easy – both the Mustang 1 and Mustang 2 have identical feature sets.
Both the Mustang 1 and Mustang 2 have the following features:
One standard guitar input
One foot switch input
1/8” Stereo Input Jack
Speaker Emulated USB Output;
1/8” Headphone Jack Doubles as Speaker Emulated Line Out
One Channel with 24 Presets
Additional effects including fuzz, pitch shifter and touch wah, with even more available through Fender FUSE.
Both the Mustang 1 and Mustang 2 come with the following software:
Ableton® Live Lite 8 Fender Edition studio-quality recording software compatible with Mustang USB recording output
AmpliTube® Fender LE software with free Fender® FUSE™ editor/librarian software for Mac and PC.
Fender Mustang 1 vs 2: controls.
Besides the basic gain, volume, treble and bass controls, both amp models feature include knobs for amp model selection, modulation selection, and delay/reverb selection. There’s also a tap temp button for various delay settings and buttons for saving your on-board edits.
Fender Mustang 1 vs 2: effects.
The Fender Mustang 1 and Fender Mustang 2 provide a total of 24 effects available in 2 categories:
The 12 modulation effects include chorus and deep chorus,flanger, 3 kinds of tremolo , vibratone (fast and slow),octaver, phaser and step filter.
The 12 delay and reverb effects include 3 tape delays (150ms/1 repeat, 300ms/3 repeats, 700ms/4 repeats), 5 kinds of reverb (small room, plate, large hall, ’63 and ’65 spring), tape delay room, tape delay large hall, ducking delay small hall, and echo filter.
Fender Mustang 1 vs 2: modeling
Both the Mustang I and Mustang II are modeling amps, which let you choose between 8 different amplifier presets out of the box, and four additional models with the Fender FUSE software.
The amp models available include Metal 2000,Super Sonic™,American 90’s,British 80’s (A.K.A.: Marshall),British 60’s (A.K.A.: Vox),’65 Twin Reverb®,’59 Bassman®, and the ’57 Deluxe™.
Fender Mustang 1 vs 2: price
Mustang 1 MSRP: $159
The Fender Mustang
As I write this, Guitar Center has the Fender Mustang I 20W 1X8 Guitar Combo Amp Black for $95, and Amazon is selling them for $109 (with extended warranty).
Mustang 2 MSRP: $269.99
Note: While the Mustang 2 has an MSRP over $200, it is easy to find for under (very close to) $200.
At the time of this review, Guitar Center was selling a Fender Mustang II 40W 1X12 Guitar Combo Amp Black for $199 and Amazon carried it for $199 also.
Who’s better, who’s best?
Which amp is best or better is a matter of personal taste and use, but here are some things to consider when choosing between the two.
The Mustang II is bigger.
Since the Fender Mustang II is a bit larger than the Mustang I, it would be a bit bulkier to transport. It’s also a bit louder than the Mustang 1. Because of this, the Mustang 2 may not make as good a choice for solo practice amp, especially if you play in a small room or apartment.
Volume for home practice and live gigs.
With minimal tweaking and the use of the FUSE software, both these amps can kick some serious ass. Volume is not a problem unless you’re looking to do some serious gigs. If that’s the case, then you may want to look at the Fender Mustang III or IV. The Mustang II is loud enough for small gigs, and you might be able to get away with mic’ing up the Mustang I.
The Mustang 2 has a larger speaker and more power, which gives it a rounder, more balanced sound but it may be overkill in small settings.
Solo practice or band practice?
If you’re going to be playing in a band and are looking for a good practice amp that won’t break your back or your budget in the process, the Fender Mustang 2 is a solid choice. However, if you’re looking for a versatile and affordable amp for solo practice, the Mustang 1 is a most excellent choice.
Fender Mustang 1 vs. Peavey Vypyr 15 – which is the better modeling amp? They are so similar that it may be difficult to choose.
If you’re looking for a new modeling amp and have a budget of $100 you’ve probably asked yourself this question. It’s easy to see why – two of the best selling modeling practice amps at this price point are the Fender Mustang I and the Peavey Vypyr 15. As I write this, each retails for $99 new, and has loads of features. In fact at first glance, they are so similar that it may be difficult to choose one over the other.
Here’s a guide to help highlight the specific strengths and weaknesses of each and help you decide which is best for you.
The Mustang I has 24 total amp presets. They consist of 8 different amp models, each with 3 different effects and mod settings. Each of these presets allows for custom effects and reverb/delay settings as well as EQ volume and gain control.
The Vypyr 15 also provides 24 total presets, modeling 12 popular amps in both clean and distorted channels. There’s also 11 editable post amp rack effects with parameter control.
Both support headphone out, and MP3/CD/Aux input. Both also feature a single 8″ speaker, a tap tempo switch, and USB port for high speed recording.
The Peavey Vypyr 15 features Peavey’s patented TransTube technology which provides “true analog distortion”. This is meant to simulate tube sound and response in a solid state amp.
The Mustang I features Fender FUSE software that allows for tweaking the living hell out of the amp and the Mustang’s modeling of a vintage tube amp is very close to 100% accurate.
Now with the basics out of the way, let’s dig into the details.
Control Panel and Interface
The Mustang I has 5 knobs:
Volume (of the amp being modeled)
Amp Preset Selector
Even though there is no knob for Middle EQ, the Mustang I is so customizable that you will rarely miss it.
While the Mustang I does not have a separate channel for clean and dirty, you can use any of the presets to store a clean preset and another to store a dirty preset.
The Vypyr 15 has 9 knobs:
Amp Preset Selector
The Peavey Vypyr 15 is a bit more customizable through the front knobs, but the Fender Mustang I provides much greater customization through it’s software package. More on that later.
Fender Mustang 1 vs Peavey Vypyr 15 - Which is a better 1st amp?
Neither the Fender Mustang I or the Peavey Vypyr 15 really makes a good choice for your first amp if you’re just starting out learning the guitar. This has more to do with modeling amps in general, than either of these specific amps.
If you’re looking for the best amp for beginning guitar players, look at straight, traditional amps and skip the modeling. You can always get an effects pedal to add on later, once you’ve become a better player.
If, however, you already know how to play acoustic guitar and are looking for a great 1st amp to branch out into electric guitar playing or you’re looking to get into a more sound variation with a modeling amp, then the Mustang I is the best choice in my opinion. It’s also a great choice for a practice amp or if you’re looking for an amp to play while song writing.
However, if you’re only interest is Metal or you wouldn’t use the Fender FUSE software and you’re looking for a rock solid modeling amp for Metal that will suit your needs out of the box with no additional effort beyond the occasional turn of a knob, then stop reading right now – the Peavey Vypyr 15 is for you.
Vypyr vs Mustang (general)
Some Peavey Vypyr 15 owners have complained about a lack of “clean distortion” and muddy clean tones. This sort of criticism is limited with the Fender Mustang because you can overcome almost any such problem with the FUSE software.
In my opinion, the Mustang I has better tones – overdrive and clean – and playing dynamics than the Peavey Vypyr 15, which makes the Mustang a much more flexible amp. And that’s before you factor in the FUSE software!
I believe that Fender has raised the bar on modeling amps, while maintaining their fabled Fender cleans. The Vypyr 15, however, missed the mark on delivering a good clean tone.
Still, many Vypyr owners swear by them, but most tend to be heavily into metal. The Peavey Vypyr 15 is a great amp for playing metal or hard rock but if you even think you want to play other styles, then the Mustang I is the better choice.
What really puts the Mustang ahead of the Vypyr is the software package that it comes with. The Mustang comes with Ableton Live and IK Amplitude, but what truly makes it rock your way is FUSE. FUSE is where the Mustang series amps leave the competition in the dust.
What you can’t edit and tweak with the top panel control knobs on the amp itself, you can edit to your liking with the FUSE software package, then save it straight to a preset on the amp.
Along with the ability to fully customize your amp’s sound, FUSE also enables you to download presets from the fender site and owner’s forum. There are hundreds of community created and supported presets for a variety of popular bands and musical styles.
FUSE gives you – the owner – full control over how your amp sounds, but it also keeps it fresh: Stuck in a rut? Feel like you just keep playing in the same style? Just download a preset that’s out of your comfort range and experiment with something new. Don’t like it? No worries, just overwrite it with another one, or go back to the factory presets. It’s this ability that makes the Fender Mustang the amp that keeps on giving.
FUSE opens up a world of possibilities and puts you in control of virtually every aspect of the amp.
Fender Mustang 1 vs Peavey Vypyr 15 - Conclusion
Some have said the Peavey Vypyr 15 is a waste of money and you shouldn’t look at anything less than the Vypyr 30. The Vypyr 30 though is about twice the price of the Vypyr 15, so in my opinion if that’s even an option than you should really be comparing the Vypyr 30 and Mustang II amps.
Personally, I think if you need to spend an extra $100 to get “anything resembling good tone”, then you’re probably looking at the wrong product. I say this because the Fender Mustang I truly does deliver good tone at the same price point as the Vypyr 15.
Others have been critical of the speaker choice for the Vypyr 15, saying that 8 inches is too small. This of course depends on what you plan on using the amp for. I’d say it’s definitely too small for performing a gig, but it’s plenty big for practicing at home or in an apartment. The Mustang I has the same speaker size, but few owners complain about it’s volume. I suspect this is because Vypyr 15 owners tend to be looking for a louder sound, while Mustang I owners are looking for better tone and more versatility.
The Vypyr 15 is a solid amp for metal and hard rock right out of the box, but the cleans are not as good as the Fender’s Mustang I and it lacks the versatility of the Mustang. If you have no desire to play blues, jazz or classic rock then the Vypyr 15 is a good choice. If you’re looking for maximum versatility and excellent tone, then the Fender Mustang I is the choice for you.
Looking for the best practice amp for under $100 can be a confusing experience. Guitar Center alone carries over 100 such amps for less than $100. It’s easy to see why choosing which guitar amplifier is the best for your money can be difficult.
I realize $100 may not seem like a lot to some people, and in the world of guitar amplifiers it really isn’t that much. But for the aspiring guitarist just starting out or the hobbyist, 100 bucks can be a good chunk of change.
Many practice amps in the under $100 range are frankly not worth the money. The Fender Mustang I is the exception. In fact, I think it is hands down the best modeling amp for under $100. Here’s why.
The Mustang I practice amp is a 20w combo modeling amp with a 1 x 8″ speaker configuration. It’s plenty loud for a practice amp, but sounds sweet with the volume down low too. It also has a headphone jack, so you won’t wake the neighbors / wife / kids etc…
Line in (for CD or mp3 player)
Input for foot switch
USB connection port
Tap Tempo Button
Modeling amps are all about effects and modeling different amp configurations, so it’s not surprising that one of the major aspects that differentiate one amp from another is what presets are available on the amp.
The Mustang I amp features a total of 24 different presets, in 3 colored groups – green, amber and red. Each group has 8 presets, labeled A, B, C, D, E, F, G, #. The factory presets follow a steady progression from vintage ’57 Tweed Deluxe to increasingly heavier sounds up to more modern, metal based amps (think Mesa Boogie and Diesel).
The range of these stock presets is enough to provide hours of enjoyment, playing in a range of styles from early Elvis Presley and Buddy Holly to Hendrix and Deep Purple to Ozzy and Metallica. It also does a good job of jazz and blues, and you can always dial back the effects to get those renowned Fender cleans.
Not satisfied with the preset? Think the sound is close, but not quite right?
No problem. The Mustang features knobs to control the Gain, Treble, Bass, Volume (of the amp being modeled), Master Volume, Effects, and Reverb/delay.
Still not totally happy with the mix?
No problem. The Fender FUSE software opens the door to complete customization of sound.
Perhaps the one feature more than any other that sets the Mustang I above other modeling amps is the Fender FUSE software.
FUSE allows you to edit and tweak all the settings of an amp that are available through the top panel knobs and dozens more that aren’t. FUSE lets you to add and configure effects modeling (stompbox and rack mount) to the base amp preset. It enables you to tweak the EQ settings and effects settings and save them to the amp using one of the colored presets. It even lets you choose and configure different cabinets to model.
You can hear the changes you make in FUSE immediately on your amp, so you can fine tune all the various aspects to get the sound right with your guitar. Once you like what you hear, you just select a preset to save it to and you’re free to rock out without your computer.
FUSE doesn’t stop there though. There’s a whole FUSE community on the Fender forums where owners share their favorite presets for others to download and try. There is a multitude of different presets available for modeling various styles, bands and amp brands.
From Jazz to Blues to Rock to Metal, capturing the sound of AC/DC, Zeppelin, Clapton, ZZ Top, GNR, Metallica, Hendrix or .. frankly whatever guitarist you want is a snap with FUSE.
Once you’ve downloaded your favorite preset or built your sound rig from scratch, you save it to one of the 24 amp preset slots. After that, switching from Angus Young’s acidic rock tones to Clapton’s vintage blues is as easy as turning the knob.
Although the Mustang’s modeling of a vintage tube amp may not be 100% accurate in all cases, it’s close enough so that most people will be hard pressed to tell the difference. And those who can will likely not being playing a solid state, modeling amp to begin with.
FUSE let’s you backup your current amp presets at anytime so you are free to customize and tweak, secure in the knowledge of that backup safety net. Totally hosed your preset? Can’t stand the settings on your amp anymore? no problem, just restore the backup and that ugly episode never happened.
FUSE gives the Mustang owner the keys to the kingdom in terms of controlling their amp. It gives you full control of the modeling and sound, and it keeps things fresh and exciting. That’s also what makes this a great amp for the hobbyist. If you find yourself stuck in a certain style of play, just fire up FUSE and give your amp a makeover, or download a new community preset. It’s amazing what a change in sound will do to your playing style.
It is because of FUSE that I believe the Fender Mustang series of amps is perhaps the most versatile modeling amp on the market today.
The Mustang controls let you choose from a variety of different effects using the 2 knobs on the top: Mod and Delay/Reverb.
That’s the basic way to flavor your sound with a touch of effect, but the FUSE software really blows the doors open on adding effects.
Here’s how the virtual effects work on FUSE:
You can chain up to 4 different effect types together to sculpt the sound you want.
The 4 effect types are:
So, you can create an amp preset with 1 stomp, 1 mod, 1 delay and 1 reverb effect all linked together. Furthermore, each effect setting is fully configurable – just like a real effects pedal, or rack effect.
Here’s a further breakdown of the effects:
Fuzz Touch Wah
Mono Echo Filter
Stereo Echo Filter
Ping Pong Delay
Stereo Tape Delay
Fender ’63 Spring Reverb
Fender ’65 Spring Reverb
To be honest, adding the virtual effects to the amp modeling via FUSE is not as flexible as a standard stompbox because that effect is then on the preset always, whereas if you use a pedal effect you can easily toggle it on and off. But the Fender Mustang, as with many modeling amps, isn’t meant to replace pedal effects completely. Besides, you can always create a stripped down amp model and attach your stompbox as you would with a non-modeling amp.
I think most people will agree though that the multitude of effects available on this amp is quite generous for the $99 price.
The Mustang also comes with Ableton Live and IK Amplitude software programs. These are studio software for recording, mixing and arranging music. You can add drums or stings to the background of your recording. You can even alter the tone of your guitar sound – yet again – with Amplitube.
But once you’ve mastered the basics and you’re looking to take your playing to the next level, take a look at the Mustang I. The possibilities open to the guitarist with this package are astounding, and all for just $99!
Every guitarist reaches a point in his playing life when he begins to come across terms like “Combo Amp”, “Rack mount”, “Stompbox” and the like. This may happen early in his guitar journey, or much later – particularly if he has played acoustic for many years before venturing into the realm of the electric.
That was me. I played acoustic guitar for over 10 years before I ever picked up an electric. I never paid much attention to terms like “amp head” and “rack mount”. But after receiving my first electric guitar for Christmas one year, I quickly found myself immersed in a world of terminology completely foreign to my otherwise knowledgeable self.
Today, I am going to provide some detail on these terms. (since I was unable to find any decent info on the Internet that wasn’t loaded with too much info).
E n j o y.
What is a Amp Head?
An amp head (sometimes referred to as simply a “head”) is the base amplifier. In it’s simplest definition, the head is the box that receives the signal from the electric guitar, and routes it out to the speaker(s), P.A. system or headphones.
The 50w Marshall JVM205H Guitar Amplifier Head.
It may be solid state (i.e. using integrated circuits and a digital processor to carry the electronic signal) or tube (i.e. Using Vacuum tubes to carry the signal). Tube amps are also sometimes referred to as valve amps.
It is called the head because it historically sits on the top, or at the head, of a speaker stack or cabinet.
The amp head is usually rated by power consumption, ex.: 15w or 30w, meaning it consumes 15 or 30 watts of power while in use. The higher the wattage, the more muscle. Amps today range anywhere from less than 1w to over 400w.
A final word of caution on amplifier wattage: more watts does not always mean louder sound. It’s only a measure of potential power, the ultimate sound quality and decibel level is also a factor of the input and the speaker(s).
What is a Combo Amp?
So, if the amp head is the amplifier itself, what is a combo amp?
The Fender '65 Twin Reverb combo amp
Put simply, a combo amp is both the amplifier and the speakers in a single unit. Combo amps are ideal for learning to play and for practicing, whether solo or in a band. Everything you need to produce sound (outside of the actual instrument) is in a single, self contained unit.
Combo Amps vs. Amp Heads
So which is better, an amp head or a combo amp?
That depends on your desired use. Each has it’s benefits and drawbacks.
Amplifier heads are typically better amplifiers than combo amps. This is because you’re paying top dollar for just the head. Many combo amps have very good amp heads and good speakers, but generally speaking you get a better amplifier for your money when you buy an amp head.
Combos are ideal for practice and learning, but the speaker(s) in a combo amp cannot compete with stand alone cabinets for concerts or live shows.
Most hobbyists will do just fine with a combo amp, while most professionals favor the stand alone amp head with speaker cabinet set up.
What are Effects?
OK, with me so far?
Now that we know what gets the sound from the electric guitar out through the speakers we can turn our attention to sound effects.
There’s no definitive list of effects, but the most common types include:
Much of a guitarist’s sound is the result of their choice of effects.
Effects should be viewed as an added layer of sound put on top of the base sound from the guitar. It’s for this reason that the most important aspect of an amp is it’s ability to deliver good, clean tone without any (unintended) distortion or sound degradation. After all, if you start with a muddy sound, you’re only going to end up with a muddy sound at the heart of whatever effect you’re applying.
Effects can be applied to that sound a number of ways. Here are the 3 most common.
A Stompbox is an effects pedal, designed to lay on the floor and be turned on or off by the player stomping it with his foot. The stompbox may have 1 or more effects, and a multitude of controls affecting volume, signal, etc..
The Fulltone OCD Obsessive Compulsive Drive Overdrive Guitar Effects Pedal.
The instrument cable is connected from the guitar to the stompbox, and another cable is connected from the stompbox to the amplifier. Sometimes, multiple stompboxes may be chained together, creating a more complex sound as the signal is modified by each box on its way to the amp.
Rackmounts get their name from the fact that they are larger than stompboxes and require that they be mounted in a rack, like the kind used in telecommunications and networking.
Rackmounts are larger and usually offer more control over the signal, making for a more complex sound. Since they are not as easily toggled on/off as stompboxes, rackmounts are favored in recording studios or sometimes used in live sound mixing, whereas the stompbox is used by the guitarist at home and on stage.
Some of this separation has disappeared as modern rackmounts can now be controlled by foot switches, much like a stompbox. However, they are still less portable than their stompbox cousins.
Fender Mustang III modeling amp
Lastly, some amplifiers provide sound effect features on-board, eliminating the need for the stompbox or rackmount. These are usually called “Modeling amps” as they model the stompbox or rackmount capabilities.
Some newer amps take modeling to a new level, modeling other amplifiers themselves. These amplifier modeling amps make it possible to emulate vintage amps that are often too expensive for the beginner, which makes them great amps for the hobbyist.
The world of electric guitar is much broader than that of the acoustic, at least in terms of gear and equipment available. But that’s part of the allure. After all, who doesn’t love to roll up their sleeves and play around with a different sound now and then?
It may seem like a lot of info, but it can open up whole new worlds of sound to explore.